The 2017 Marvel series Inhumans is often seen as a rare misstep in the Marvel Cinematic Universe— viewers and critics alike were let down by its execution, which lacked the polish and depth that fans had come to expect. Despite its cinematic ambitions—an IMAX premiere and a built-in fanbase—Inhumans landed with a thud, beset by pacing issues, cost-cutting decisions, and thin characterization that betrayed its comic-book potential.
The show was produced under a brutal schedule—about six months to shoot and post-produce eight special-effects-heavy episodes. That haste showed in shaky pacing and inconsistent visuals. Scenes often felt unfinished or poorly thought out . Key elements of the source material—like Medusa’s iconic hair and Lockjaw’s presence—were downplayed or altered in ways that felt jarring to fans. Medusa’s hair effect was so troublesome it led to a literal haircut on-screen .
Marvel gambled with a theatrical IMAX release of the first two episodes. The gamble flopped — it earned $3.5 million worldwide, far below expectations . As IMAX CEO Rich Gelfond noted, audiences expected blockbuster-level production—not a TV pilot dressed up for theaters .
Inhumans sits squarely at the bottom of Marvel’s TV legacy:
Fans responded in kind. During the premiere, only 34% of social media posts were positive; nearly a quarter were negative—the highest negative reaction among all Marvel premieres at that time . The overall audience rating on Rotten Tomatoes (Popcornmeter) lands around 42%, still low even by harsh standards .
Lots of the criticism hinged on sloppy writing: characters moved without clear motivation, and dialogue felt stiff. Critics described it as “soap-opera melodrama” that lacked sparkle or clarity . Even actors delivered uneven performances—some moments strong, others flat. One viewer called it akin to a poorly staged school play .
For an MCU release, the VFX felt lower-tier. Lockjaw looked off, Medusa’s hair was near-unwatchable, and Attilan lacked visual depth. A WIRED review suggested the cameras captured flaws more than detail—IMAX only highlighted how minimal the effects were .
Scott Buck, known for controversial stints on Iron Fist and Dexter, was tapped as showrunner. His tendency for cost efficiency may have amplified poor choices—like shrinking iconic characters, minimizing special effects, and limiting what made the Inhumans unique .
Even within the chaos, some elements stood out:
Still, these bright spots couldn’t outshine the broader failure in execution.
The idea of a royal superhuman family fleeing a coup on the Moon is rich material. But the execution made it feel small-scale and perfunctory.
Trying to film a TV series like a movie stretched resources thin—effects lagged and storytelling seemed forced.
An IMAX splash is impressive—but only if the content matches. The disconnect disappointed viewers expecting cinematic scale.
Efficiency is great—unless it strips away nuance, depth, and character development. In Inhumans’ case, it did exactly that.
Fans hoped Inhumans would bring the eccentric and intriguing world of Attilan to life. Instead, what arrived felt domestic and undercooked. It’s as if the show was afraid of its weirdness—and that fear showed. One fan summarized it well: interesting concepts, but too many “bad scenes” kept pulling them out of it .
Inhumans: The Marvel Series That Divided Fans earned its reputation through a combination of rushed production, misguided creative choices, and a marketing strategy that raised expectations it couldn’t meet. The potential was there—in premise and cast—but was largely squandered by failings in vision and execution. It remains a cautionary tale: even with a beloved franchise, storytelling and production integrity can’t be compromised.
Marvel aimed to build hype with a cinematic debut, but audiences expected blockbuster quality—not a TV pilot stretched onto the big screen. The result was underwhelming .
Yes. Critics gave it an 11% rating on Rotten Tomatoes—making it the lowest-rated Marvel TV series to date .
Iwan Rheon (Maximus) earned some praise for delivering a compelling villain, and Anson Mount’s portrayal of Black Bolt had flashes of depth—if only the writing had supported them .
Viewers called it melodramatic, poorly written, and visually uninspired. Over a quarter of social media reactions to the premiere were negative—a standout low in Marvel TV launches .
Many fans suggest the Inhumans would’ve fared better in a different medium—perhaps woven into Agents of S.H.I.E.L.D., where tone and production aligned closer to Marvel TV norms .
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