Wuthering Heights: A Modern Retelling of a Classic – First Look!

(2026): A Modern Retelling of a Classic

The moors whisper, the storm rages, and here comes Emerald Fennell’s audacious new adaptation of Emily Brontë’s Wuthering Heights, landing in theaters just in time for Valentine’s Day 2026. This isn’t your grandma’s Victorian drama—it’s raw, gothic, and modern in the best way possible. With Margot Robbie as Catherine Earnshaw and Jacob Elordi as Heathcliff, it promises to upend expectations and stir deep, unpredictable emotions. The title, punctuated deliberately with quotation marks (“Wuthering Heights”), signals something more like an interpretation than a direct translation of the novel.

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Vision & Tone: Fennell Meets Brontë in the Moors

Emerald Fennell, fresh off hits like Promising Young Woman and Saltburn, brings a distinctive blend of eroticism, primal emotions, and gothic visuals to Brontë’s masterpiece. She teased in interviews that the film is “primal, sexual” with classic gothic intimacy intertwined with modern sensibility.

A stylized poster, shared online in summer 2024, carried the haunting tagline: “Be With Me Always. Take Any Form. Drive Me Mad.” These are words that pulse with longing and delirium—inviting viewers into the novel’s obsessive terrain.

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Cast & Characters: Familiar Faces with New Edge

• Margot Robbie as Catherine “Cathy” Earnshaw brings star power and emotional nuance. Robbie also serves as a producer via her company LuckyChap.
• Jacob Elordi takes on Heathcliff, his intensity matched by a casting decision that’s already stirred debate. Heathcliff’s racial ambiguity in the novel sparked discussion when the role went to Elordi, who is white.
• Supporting cast includes Hong Chau (Nelly Dean), Alison Oliver (Isabella Linton), Shazad Latif (Edgar Linton), plus younger versions of Heathcliff and Cathy.

Robbie described the shoot jokingly as “bananas,” promising audiences a film that’s both wild and brilliant.

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Production & Visual Aesthetic: Moors, Mist, and Modern Showmanship

Filming wrapped in early 2025 across the atmospheric landscapes of the Yorkshire Dales—Arkengarthdale, Swaledale, and nearby villages—shot in sumptuous 35mm VistaVision.

Cinematography by Linus Sandgren and editing by Victoria Boydell aim to translate the novel’s spectral moors and turbulent emotions into sensorial cinema.

An amusing on-set anecdote: Elordi accidentally burnt himself on a hot shower knob during filming’s early weeks—gothic drama meets slapstick, I suppose.

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Music & Marketing: Gothic Pop Meets the Moors

The film’s soundtrack has its own star—Charli XCX crafted a full album inspired by Wuthering Heights, embracing its dark, British, and tortured spirit.

Two singles already dropped: “House” (feat. John Cale) and “Chains of Love,” both aligned with the film’s trailer release and radiating a moody, gothic vibe.

Promotion kicked off with teaser posters and billboards in NYC, London, LA, and culminated in a trailer drop in September 2025.

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Release Strategy: From Premiere to Box Office

The film premiered on January 28, 2026, at TCL Chinese Theatre in LA—an event drenched in red-and-black glamour.

Its wide theatrical release, including IMAX screenings, is set for February 13, 2026, just ahead of Valentine’s Day—and for some outlets, February 14 itself.

Warner Bros. won distribution with an $80 million deal, favoring theatrical release over a massive Netflix bid, largely guided by Robbie and Fennell’s creative vision.

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Cultural Conversations: Casting, Creepy Vibes, and Expectations

Casting debate has centered on Jacob Elordi’s race amid Heathcliff’s historically complicated representation. Fennell defended her choice by referencing early novel illustrations he resembled.

Expectations are high around the film’s tone. Robbie’s “bananas” remark, combined with reports of sultry costumes and moor-spanning cinematography, suggest a modern, eroticized take that could either electrify or alienate purists.

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Imagining the Impact

The film enters a revival of gothic adaptations filtered through modern lenses—where directors breathe new life (and new themes) into literary classics. Fennell’s visual boldness and emotional depth may spark renewed interest in Wuthering Heights among younger audiences.

At the same time, casting and stylistic choices might amplify debates around adaptation fidelity versus reimagining. It’s a balancing act—and one that doesn’t feel entirely predictable, if you ask me.

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Conclusion

Emerald Fennell’s “Wuthering Heights” is set to arrive in February 2026 as a daring, visually rich reinterpretation of Brontë’s revered work. Margot Robbie and Jacob Elordi anchor a story fused with modern aesthetic, erotic intensity, and gothic roots. With a soundtrack by Charli XCX and a theatrical-first release strategy, this adaptation positions itself as both an emotional rollercoaster and a cultural moment.

Will it honor the novel’s spirit—or redefine it entirely? Hard to say, exactly, because that’s kinda the point. Audiences get to decide when it storms into theaters.

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FAQs

What’s with the quotation marks around Wuthering Heights?
The director uses quotes to underline that this is her interpretation, not a replication of Brontë’s text—more a version than a literal adaptation.

When and where does the film premiere and release?
It premiered January 28, 2026, at TCL Chinese Theatre in Los Angeles and opens wide—including IMAX screens—on February 13 (and some report February 14), 2026.

Who’s behind the music and soundtrack?
Charli XCX composed an original album for the film, with singles like “House” (feat. John Cale) and “Chains of Love” already released. Score by Anthony Willis.

Why did casting spark controversy?
Heathcliff’s race has often been interpreted as non-white in the novel. Casting Elordi, a white actor, reignited debates over representation in adaptations.

What tone should audiences expect?
Strongly gothic, emotional, erotic, with lots of moorland atmosphere—think sexual tension meets raw emotion under stormy skies.

Will it stream on Max after theaters?
No streaming date announced yet, but following Warner Bros.’ recent patterns, it will likely come to Max a few months after theatrical release.